The Illimitable Ocean of Inexplicability

Month: October, 2013

Future home of the Institute for the Study of Slightly Varying Circumstances

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Fuh-Fuh-Fuh-Fuh-Fourteen

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Where the fuck’s 14?

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The Contemplatives

Cover for the soon to be released single “Where the fuck’s 14?”

 

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This is not what we do here

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My work is characterised by a broad range of activity through varied forms of application. Considering changing approaches to spectatorship, earlier work translated the scale and immersive capacity of urban settings through production of various site-specific installations and interactions (whilst utilising  performance, video-art, sculpture, and projection technologies).

 

Where there is interest in the spectacle, or formation in the artistic sense, there is also a wider critical concern of how artistic products or services can be  commercialized (e.g. the expansion of branded media content that can be scaled across mobile devices, personal computers, media exhibits or IPTV).

 

My present research explores a relationship between the geological environment and the psychological terrain of the spectator.  At an art/science interface, this involves linking modality-specific forms, representations, and data, through use of cartography/3D registered GIS.

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from: Sarah Wardlaw

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